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Music Faculty

Dr. Keith Dippre (2001), Department Chair; Professor of Music (2010); B.A., Azusa Pacific University; M.A., California State University at Los Angeles; D.M.A., Ohio State University.
Phone: (910) 630-7101
E-Mail:
Web page: www.societyofcomposers.org/user/keithdippre.html

Dr. Keith Dippre was born in Ancon, Panama in 1960. He received his undergraduate degree from Azusa Pacific University in California and his M.A. from California State University at Los Angeles. For roughly eight years, prior to beginning doctoral studies in composition at Ohio State, he played the resort and nightclub circuit on the west coast and was a multi-keyboardist in the hip-hop oriented "Raw Nature." While living in California, he had the privilege of opening concerts for artists such as Debbie Gibson and doing studio work with popular jazz saxophonist Boney James. While at Ohio State, Dippre was the recipient of the Ruth Friscoe award for composition (1998) and was Composer-in-Residence with the Ohio State University Symphony Orchestra (1999). He made his festival debut as accordionist in OSU's Contemporary Music Festival 2001 playing the Lucas Foss piece "Curriculum Vitae with Time Bomb." He also produced a piano concerto entitled "700 N. Electric," and a document, "Compositional Issues with Corigliano, Oliveros, and Kernis." His principal composition teachers have been Dr. Phil Shackleton, Dr. Byong-kon Kim, and Dr. Jan Radzynski.

He is currently the Department Chairman and Associate Professor of Music at Methodist University, teaching such courses as music theory, aural skills, and composition. Dr. Dippre also received a Regional Artist Project Grant from the Arts Council of Fayetteville and Cumberland County and was an artist-in-residence at the Artist's Enclave at I-Park (East Haddam, Connecticut). In October of 2003 his piece "Pilgrim's Blues" (for piano, violin, and cowbell) premiered in Northampton, Massachusetts commemorating the tercentenary celebration of Jonathan Edwards. He has been recently featured in the SCI National Conference in Santa Fe, New Mexico with his work "California Low Brow" and was also commissioned by Duo 46 in 2008 for his "Year of the Rat" piece for guitar and violin. He has had commissions and performances with the Fayetteville Symphony Orchestra, and his current publisher is Imagine Music (Medina, New York).

On his recent sabbatical from Methodist University, he took part in the Fresno New Music Festival and was a guest lecturer at Azusa Pacific University.


Mr. Charles Dumas, Jr. (2010), Instructor of Music; Director of Marching Band; B.S., M.A., University of North Carolina at Pembroke.
Phone: (910) 630-7673
E-Mail:

Clarinetist and saxophonist, Charles Dumas, Jr., is the private clarinet instructor as well as the Director of Athletic Bands and the Jazz Ensemble at Methodist University. A Fayetteville native and public school educator for over twenty years, Mr. Dumas served as the Band Director at Fairmont High School and Middle School in Robeson County for four years before returning to his alma mater as the Director of Bands at Douglas Byrd High School from 1992 until his move to Methodist in 2008. Mr. Dumas is active in the region as an adjudicator for both marching band and concert band clinics and contests, as part of his role to recruit for Methodist University and the Music Department. Active as a musical arranger for both marching band and jazz band, as well as a drill writer for marching band, he has written shows for several high schools in North Carolina. In 2004, Mr. Dumas received the Inez Easley Educator of the Year Award for Cumberland County based on his work in Multi-Cultural Integration in the classroom. He was also recognized in 2007 by the North Carolina Bandmasters Association with their highest honor given, the Award of Excellence. The recipient of this award is chosen by their peers for their outstanding performance in the field of Instrumental Music Education. Mr. Dumas received both his Bachelor's and Master's degrees in Music Education from University of North Carolina at Pembroke.


Ms. Jane Weeks Gardiner (1985), Associate Vice President for Academic Affairs; Associate Professor of Music; B.M., Salem College; M.M., New England Conservatory.
Phone: (910) 630-7158
E-Mail:

Jane Weeks Gardiner is currently Associate Vice President for Academic Affairs at Methodist University. At Methodist University, she has also served as Interim Vice President for Academic Affairs, Dean of the School of Arts and Humanities and Chairman of the Music Department. Mrs. Gardiner is the founder of Friends of Music at Methodist. In 1976, Mrs. Gardiner received her undergraduate degree in piano performance from Salem College where she was the recipient of the Rondthaler Award in Music. She earned a Master of Music in Piano Performance from The New England Conservatory of Music where she studied with Victor Rosenbaum. In addition, she has been the recipient of a National Endowment for the Humanities Fellowship at Harvard University. In 2006, Mrs. Gardiner was awarded the Outstanding Faculty Award by the Methodist University Alumni Association and in 2007 she was the recipient of Methodist University's Professor of the Year Award. She has appeared several times as a soloist with the Fayetteville Symphony Orchestra and performs frequently in recital as a solo and collaborative pianist. Mrs. Gardiner is also the pianist and choir accompanist at Hay Street United Methodist Church.


Dr. Scott Marosek (2007), Assistant Professor of Music; B.M., M.M., University of Missouri at Kansas City; D.M.A., University of North Texas.
Phone: (910) 630-7252
E-Mail:

Dr. Marosek performs regularly as a soloist and collaborative pianist. His recent performances in Beijing, Guangzhou, Jerusalem, Tel Aviv, New York, Los Angeles, Las Vegas, and Dallas have included appearances at such renowned venues as Xinghai Hall, the Jerusalem Music Centre, and the Meyerson Symphony Center. Dr. Marosek has also performed several solo recitals sponsored by the Van Cliburn Foundation. He has performed premieres of several new works, a result of his ongoing interest in new music.

Dr. Marosek is an experienced music educator, having served as Adjunct Professor of Piano at Southwestern Adventist University from 2005 to 2007 and as a keyboard instructor at the University of North Texas from 2002 to 2005. As a faculty member of the Eastern U.S. Music Camp he teaches piano, piano literature, and music theory. At Methodist, Dr. Marosek teaches piano and music history, accompanies the Methodist University Chorale, and plays for weekly chapel services.


Dr. Michael D. Martin (2007), Instructor of Music; Director of Choral Activities and Music Education; B.M.Ed., M.M., University of Maine; Ph.D., Kent State University.
Phone: (910) 630-7153
E-Mail:

Michael D. Martin hails from the great state of Maine. He completed a Bachelor of Music Education Degree (Percussion) at the University of Maine (1986) and returned to the University to complete a Master of Music degree in Choral Conducting (1990). In 2007, he completed his doctoral studies and is currently a Ph.D. candidate in Music Education with an emphasis in choral music education through Kent State University, Kent, OH. His dissertation research concerns the roles and implications of multi-discipline vs. specialist teaching with regard to its efficacy and teacher licensure.

He has taught in grades 4-12, in the capacity of orchestral, choral and, instrumental education positions, throughout ME, NH and MA. He has received recognition as a teacher and conductor, having been the recipient of several teaching awards, serving as a guest conductor, vocal clinician, and judge for New England, Midwestern, and Southeastern music festivals. His past performing ensembles have received both regional and national acclaim for their performances. His guest conducting includes both mixed, SSAA, and TTBB choirs in New England and the Midwest encompassing several genres of choir music.

Mr. Martin has also enjoyed a rich involvement in conducting community choral groups in ME and NH. In 2001, he created a semi-professional chorus, The New Vocal Collective, in central New Hampshire recording one compact disc. Under his tutelage, they performed works by 20th century composers and large works by Britten, Fauré and Rutter. He also conducted the Portland Downeasters, a Portland, ME based barbershop chorus, which became one of the top four choruses in the Northeastern District in 2002-2004.

He received national attention with his championship barbershop quartet The Management (1986-2003) by touring New England schools in support of music programs. This became part of a national trend by the Barbershop Harmony Society to promote youth outreach and involvement in music. For this work, the quartet shared the National Education Service Award sponsored by MENC and SPEBSQSA in 1995, and Barbershopper of the Year award from the Northeastern District of SPEBSQSA in 1996. In 1996, he received distinction as the recipient of Distinguished Choral Director of the Year from the Maine Chapter of ACDA, an award that he shared with his quartet.

He is currently the Director of Choral Activities and Music Education for the music department. Additionally, he is the Artistic Director of the Cumberland Oratorio Singers. He lives in Fayetteville with his wife Amanda who is an excellent AP Calculus teacher, his 6-year-old son David, and 1-year old daughter Meredith. His children constantly remind him that life is sometimes best enjoyed through the eyes of a child.


Dr. Larry Wells (2006), Associate Professor of Music; Director of Instrumental Activities; B.A., M.S., Washington State University; M.S., Portland State University; D.M.A., University of North Texas.
Phone: (910) 630-7602
E-Mail:

Larry holds a Bachelor of Arts in Music and a Bachelor of Science in Education from Washington State University (1990). He holds a Master of Science in Teaching Music from Portland State University (1996), and has recently completed a Doctor of Musical Arts in Trumpet Performance/Wind Conducting from the University of North Texas (2006). His dissertation is entitled Construction Applications, Practices, and Techniques of Natural Trumpets; A Comparative Analysis of Baroque and Modern Era Trumpet Construction Methods.

Currently, Larry is the Director of Instrumental Studies at Methodist University in Fayetteville. Prior to his appointment at Methodist, Larry taught for one year at Southeastern Oklahoma State University and three years at Southwestern Oregon Community College.

In addition to teaching, Larry was the General Manager and Associate Conductor for the 500+ member Metropolitan Youth Symphony in Portland, Oregon. During his five-year tenure at MYS, Larry oversaw all operational aspects of the non-profit group, and conducted the Preparatory Band. Larry also spent four years working for the David. G. Monette Corp. building custom trumpets for notable players such as Wynton Marsalis, Adolph Herseth, and the late Maynard Ferguson.

As a performer, Larry holds a position in the Fayetteville Symphony Orchestra. In addition, he has played numerous times with the Portland Opera, the Oregon Symphony, the Eugene Symphony and Opera, and the Salem Chamber Orchestra. While at the University of North Texas, Larry played with the UNT Symphonic Band, UNT Baroque Orchestra, and the UNT Opera Orchestra.

Outside of music, Larry’s interests include playing golf, woodworking, and playing with his three children: Pruette (7), Harrison (5), and Daulton (2).


Adjunct Faculty

Mr. Jason Jordan (2008), Adjunct Professor of Classical Percussion

Mr. Jordan received his Bachelor of Music Education degree from the University of North Carolina at Greensboro where he studied percussion with Cort McClaren and conducting with John Locke and Nicholas Holland III. He received his Master of Music Performance degree from Appalachian State University studying percussion with Rob Falvo and Scott Meister. Mr. Jordan has performed with the North Carolina Symphony, Asheville Symphony, Western Piedmont Symphony, Fayetteville Symphony, the New Paradigm Percussion Quartet, and the Philidor Percussion Group. Mr. Jordan holds professional affiliations with Percussive Arts Society and Music Educators of North Carolina. Mr. Jordan is an active performer, clinician, and adjudicator throughout the United States.


Ms. Nichole Peragine (2011), Adjunct Professor of Viola

Violist and Conductor Nicole Peragine is beginning her second year of orchestral and AP music theory instruction at Pinecrest High School in Southern Pines, NC. Ms. Peragine received her Bachelor of Music Education at the Crane School of Music and her Master of Music from the UNCG School of music in viola performance. She has attended the Max Aronoff Viola Institute, Brevard Music Center, and Mark Wood Rock Orchestra Camp. hile a student at the Crane School of Music she was a Presidential Scholar Grant recipient and while at UNCG she taught at the NYASTA Summer String Institute. Currently, she plays viola for the Fayetteville Symphony and Carolina Philharmonic. During the summer of 2010, Ms. Peragine participated as an education writer for the North Carolina Symphony's Friday Favorite concert series. Most recently she has been invited to conduct the String Ensemble and act as the Teacher Coordinator for Conservatory International based out of Pinehurst, NC.


Ms. Deanne Renshaw (2006), Fine Arts Coordinator; Adjunct instructor of Oboe. B.M., M.M., Northwestern University.

A former student of oboe legend Ray Still and world-renowned soloist Alex Klein, Deanne Renshaw currently holds the endowed principal oboe chair in the Fayetteville Symphony Orchestra where she was featured as a soloist in 2007. Having earned both her Master's and Bachelor's degrees in Oboe Performance from Northwestern University, she made her Carnegie Hall debut as oboe and English horn soloist with the elite Manhattan Chamber Philharmonic in 2009 and is scheduled for a return visit in 2011 with the Carolina Philharmonic. Having gained additional influence from oboists Carl Sonik, Richard Killmer and Bernard Shapiro, Deanne has performed as the principal oboist for the Amman Symphony Orchestra in Jordan; the International Symphony Orchestra in Israel; the Long Bay Symphony in Myrtle Beach, SC; the Carolina Philharmonic (NC); the North Carolina Master Chorale; Opera Carolina (Charlotte, NC); the Tar River Philharmonic Orchestra (Rocky Mount, NC); the Raleigh Civic Symphony (NC); the Wilson-Barton Symphony Orchestra (NC); and the Kankakee Valley Symphony Orchestra (IL). Deanne has also played with the Jerusalem Symphony Orchestra, the Civic Orchestra of Chicago, the Virginia Symphony Orchestra, the South Bend (IN) Symphony Orchestra, and the Kenosha (WI) Symphony Orchestra.

In September 2007, she was one of two English hornists invited by Ray Still to perform on his last public recital of his lengthy and reputable career. Recognized for her "lovely, winning English Horn solo" by the Classical Voice of North Carolina in November of 2009, she performs regularly as a freelance musician and recitalist in North and South Carolina. Deanne can be heard on two of Danny and June Infantino’s guitar/flute instrumental albums, "Of Blessed Beasts and Children" and "Table for Two." She is currently the Personnel Manager for the Fayetteville Symphony Orchestra and the Carolina Philharmonic, and acts as a prominent contractor for musicians throughout North Carolina. She is the Oboe Instructor and Fine Arts Coordinator at Methodist University in Fayetteville, NC, and teaches oboe at the University of North Carolina at Pembroke, following several years on the music faculty at Olivet Nazarene University in Illinois.


Mr. Skip Walker (2005), Adjunct Instructor of Drumset, Jazz and Popular Culture, and Religion. B.M., Berklee College of Music; M.A., Southeastern Baptist Theological Seminary; further study, Boston University.Skip has recorded and performed with The Fatback Band, Israel Houghton, Bubba Brooks, Maria Howell, Althea Rene, and Onaje Alan Gumbs. Skip is a proud endorser of Silverfox Percussion, Soultone Cymbals, and DC California Drums in Los Angeles California. Visit Skip on the web at myspace.com/macrorhythm. E-Mail:

 

Skip's new jazz CD, "Funky Cafe" by
Skip Walker & Macrorhythm, is now available on iTunes, Amazonmp3.com, and Napster

Elizabeth Winstead (2008) is a native of Wilson, North Carolina who received her undergraduate degree in music from Meredith College and a Master of Music degree from East Carolina University. Elizabeth is an active soloist, recitalist, clinician and adjudicator and is an adjunct instructor at Barton College and Methodist University. Elizabeth also owns a private voice studio in Wilson. Elizabeth has served as a church musician and as conductor for various civic choruses in the Wilson and Rocky Mount area. She has extensive experience in musical theatre serving as musical director for many stage productions with Act for Youth, The Playhouse and Theatre at Barton College. Elizabeth resides in Wilson with her husband Alan, and her son David attends New York University.

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