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Dr. Paul F. Wilson (1989)
Associate Professor of Theatre
Chair, Department of Theatre
Technical Director
E -Mail:
Phone: (910) 630-7105 |
Education: B.F.A. UNC-Chapel Hill,
1973; M.F.A. UNC-Greensboro, 1982; Ph.D. Florida State University,
1995.
Dissertation: "North Carolina
Opera Houses, 1878-1921; A Sourcebook for Local Theatrical History."
Teaching: Technical Theatre, Theatre
History, Theatre Survey, Directing.
Acting: Gangster #1 in Kiss
Me Kate, Robert in Proof, Matt in Talley’s
Folly, Tevye in Fiddler on the Roof, Sir Toby Belch
in Twelfth Night, Thomas Edison in Camping with Henry
and Tom, L.M. in Pump Boys and Dinettes, Murray in
A Thousand Clowns, Sir in The Roar of the Greasepaint...,
Ben Butley in Butley, Colin in Benefactors, Arthur
in Camelot.
Directing: Antigone, 1918,
Step on a Crack, Jacques Brel is Alive and Well and
Living in Paris, The Wind in the Willows, Young
Mr. Berlin, American Buffalo, The Heliotrope Bouquet
by Scott Joplin and Louis Chauvin, The Tempest,
Carnival, Galileo, Godspell, On The
Verge, Courtship, The Dining Room, Talley's
Folly, Man of La Mancha, The Pirates of Penzance,
Grease.
Design: Antigone, Tar Heel
Tales, The Lion in Winter, A Funny Thing Happened on the
Way to the Forum, Camping With Henry and Tom, The
Jack Tales, Crimes of the Heart, Come Back to
the Five and Dime, Jimmy Dean, Jimmy Dean; Fiddler
on the Roof.
Playwriting: Jean Anouilh's
Antigone (translator), Diamond City (Florida
State University), The Golden Vanity (Theatre West
Virginia); The Richard Cory Murder Case (Alamanace
County [NC] Arts Council); Everybody's in Showbiz
(screenplay), The Last Marshal (screenplay); Member,
Dramatists Guild of America.
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Dr. Evan M. Bridenstine (2001)
Assistant Professor of Theatre
E- Mail:
Phone: (910) 630-7104 |
Education: B.A. Ashland University,
1982; M.A. Kent State University, 1988; M.F.A. University of Virginia,
1992; Ph.D. Ohio State University, 1997
Dissertation: "Thomas King
at Sadler’s Wells and Drury Lane: Proprietorship and Management
in Late Eighteenth-Century English Theatre, 1771-1788."
Teaching: Theatre Survey, Acting,
Directing, Dramatic Literature, Theatre History.
Playwriting: High Strung Quartet
for Unstrung Voices (John Glines, NYC; West Coast Ensemble,
LA; Neptune Productions, San Francisco; Reality Theatre, Columbus,
OH), Taking Leave (Humbolt State University), Miller's
Point (Ohio State University), Friendship Calls (Washington
& Lee University), Gravel Pudding (University of Virginia),
Broken Cadences (University of Virginia), Last Lunch
(Ashland University), Bull Black (Kent State University).
Acting: Mister in Sunday in
the Park With George, Marley's Ghost in A Christmas Carol,
J.P. Morgan in Ragtime, Moonface Mullins in Anything
Goes, Hysterium in A Funny Thing Happened on the Way to
the Forum, Nicely-Nicely in Guys and Dolls, Charlie
in Tintypes, Flint in Something's Afoot, Judge
Thatcher and Counsetor Robinson in Big River, Oolie in
The Salvation of Sunshine Billy (premiere), Owen Musser
in The Foreigner, Chrysale in Learned Ladies,
Bottom in A Midsummer Night's Dream, Leonato in Much
Ado About Nothing.
Directing: Tar Heel
Tales, Little Shop of Horrors, Red and Blue, The Spitfire
Grill, Little Red Riding Hood: The Opera, Godspell,
A Christmas Carol, Woyzeck, Man of
La Mancha, Hook, Line and Sinker (premiere),
Anything Goes, The Duck Variations, Our
Town, Story Theatre, The Taming of the
Shrew.
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