Evan Bridenstine, PhD
Chair, Theatre; Associate Professor of Theatre
B.A., Ashland University; M.A., Kent State University; M.F.A., University of Virginia; Ph.D., Ohio State University
Thomas King at Sadler’s Wells and Drury Lane: Proprietorship and Management in Late Eighteenth-Century English Theatre, 1771-1788
Theatre Survey, Acting, Directing, Dramatic Literature, Theatre History
High Strung Quartet for Unstrung Voices (John Glines, NYC; West Coast Ensemble, LA; Neptune Productions, San Francisco; Reality Theatre, Columbus, OH), Taking Leave (Humbolt State University), Miller’s Point (Ohio State University), Friendship Calls (Washington & Lee University), Gravel Pudding (University of Virginia), Broken Cadences (University of Virginia), Last Lunch (Ashland University), Bull Black (Kent State University).
Mister in Sunday in the Park With George, Marley’s Ghost in A Christmas Carol, J.P. Morgan in Ragtime, Moonface Mullins in Anything Goes, Hysterium in A Funny Thing Happened on the Way to the Forum, Nicely-Nicely in Guys and Dolls, Charlie in Tintypes, Flint in Something’s Afoot, Judge Thatcher and Counsetor Robinson in Big River, Oolie in The Salvation of Sunshine Billy (premiere), Owen Musser in The Foreigner, Chrysale in Learned Ladies, Bottom in A Midsummer Night’s Dream, Leonato in Much Ado About Nothing.
Tar Heel Tales, Little Shop of Horrors, Red and Blue, The Spitfire Grill, Little Red Riding Hood: The Opera, Godspell, A Christmas Carol, Woyzeck, Man of La Mancha, Hook, Line and Sinker (premiere), Anything Goes, The Duck Variations, Our Town, Story Theatre, The Taming of the Shrew.